Vessel Lock, 2026
Eimalive 개인전 <LAYERED WORKS>를 위한 아카이빙북 기물 디자인.
Archival book display furniture designed for Eimalive's solo exhibition, <LAYERED WORKS>
Parts
type
size
a vessel lock
a bookshelf
340 × 1940 × 600 mm
Eimalive Layered Works Exhibition
Eimalive 개인전 <LAYERED WORKS>를 위한 아카이빙북 기물 디자인.
작가로부터 12권의 아카이빙 북을 받았다. 한 장 한 장이 쌓여 한 권이 되고, 하나의 전시가 열리기까지의 시간들이 중첩되어 있었다. 가구는 그 시간들이 각기 독자적으로 읽히면서도, 밀도가 흩어지지 않는 구조여야 했다.
A furniture piece designed for the archiving book of Eimalive's solo exhibition, LAYERED WORKS.
I received twelve copies of the archiving book from the artist. Each page had accumulated into a single volume, while the layers of time leading up to the exhibition had overlapped within it. The furniture needed to hold these layers in a structure where each moment could be read independently, without allowing their density to disperse.
Vessel Lock, 2026
Eimalive 개인전 <LAYERED WORKS>를 위한 아카이빙북 기물 디자인.
Archival book display furniture designed for Eimalive's solo exhibition, <LAYERED WORKS>
Parts
type
size
a vessel lock
a bookshelf
340 × 1940 × 600 mm
Eimalive Layered Works Exhibition
Eimalive 개인전 <LAYERED WORKS>를 위한 아카이빙북 기물 디자인.
작가로부터 12권의 아카이빙 북을 받았다. 한 장 한 장이 쌓여 한 권이 되고, 하나의 전시가 열리기까지의 시간들이 중첩되어 있었다. 가구는 그 시간들이 각기 독자적으로 읽히면서도, 밀도가 흩어지지 않는 구조여야 했다.
A furniture piece designed for the archiving book of Eimalive's solo exhibition, LAYERED WORKS.
I received twelve copies of the archiving book from the artist. Each page had accumulated into a single volume, while the layers of time leading up to the exhibition had overlapped within it. The furniture needed to hold these layers in a structure where each moment could be read independently, without allowing their density to disperse.